This is an arrangement by Mark Taylor of the jazz standard “I’m Beginning to See the Light,” originally composed in 1944 by Duke Ellington, Don George, Johnny Hodges, and Harry James. Taylor’s arrangement offers a modern take on this classic tune, making it accessible for contemporary jazz ensembles.
Scott Ragsdale’s arrangement of “But Not For Me” brings a fresh perspective to George and Ira Gershwin’s 1930 composition. Ragsdale’s version is tailored for jazz bands, providing a balance between traditional melodies and modern harmonies.
Composed by Ray Henderson with lyrics by Mort Dixon in 1926, “Bye Bye Blackbird” has become a jazz standard, covered by numerous artists over the decades. Its enduring popularity is a testament to its catchy melody and relatable lyrics.
Carl Strommen’s “Cruise Control” is an original jazz composition known for its smooth, flowing lines and rhythmic drive. It’s a favorite among jazz ensembles for its engaging melody and dynamic arrangement.
This is likely Mark Taylor’s arrangement of “I’m Getting Sentimental Over You,” a 1932 song composed by George Bassman with lyrics by Ned Washington. Taylor’s rendition offers a contemporary twist while preserving the song’s sentimental charm.
Composed by Freddie Hubbard in 1967, “Little Sunflower” is a widely recognized jazz standard known for its laid-back, meditative feel. The composition features a memorable melody, often allowing for rich improvisational opportunities.
Terry White’s “Mamacita” is a Latin jazz piece that infuses energetic rhythms with vibrant harmonies. It’s known for its lively tempo and engaging melodic lines, making it a standout choice for jazz ensembles looking to showcase their rhythmic prowess.
Victor López’s “Mambo Hot” is a high-energy Latin jazz composition that captures the essence of the mambo dance style. With its infectious rhythms and bold brass sections, it’s designed to get audiences moving and is a favorite in jazz band repertoires.
Brett Zvacek’s “Next Big Thing” is a modern jazz composition characterized by its innovative harmonies and driving rhythms. It’s appreciated for its challenging yet rewarding arrangements, offering musicians an opportunity to explore contemporary jazz idioms.
Natasha Nagarkatti
Simba Fang
Ashley Marsh
Gavin McKerracher
Hayley Dunbar
Giovanna Paccagnella
Elliot Fang
Henry Lin
Patrick Muhleisen
Ben Estrin
Johny Meng
Keller McHardy
Marie Tamaki
Ian Chou
Jayden Jiang